Just how bad was it?

Answer: Not very, actually.

Hurrah! Finally got round to blogging about the performance of my plays. A strange experience but all in all -fun and exciting. Much kudos is due to the actors who had less than 3 weeks to rehearse 18 scripts, all of varied length and genre- they all did a super job.
Both my plays were performed pretty much as I had envisaged them even down to the comic timing. Thankfully the audience was appreciative and they even laughed in the right places so to say I am well chuffed is an understatement.

Tonight is the final writing session this term and we will be doing a review of our performed work. It's going to be interesting to hear what my fellow writers felt about the experience and of course their critique too.

I have got my application form for the Leeds Met Screenwriting MA and have been encouraged to apply by some of those who attended the Writers Festival. Just need to get round to completing it now- they require an example of work plus and essay about my favourite film. Which leads nicely to the next dilemma- what is my favourite film....?

Oops...

...just realised I forgot to blog about seeing Lenny Henry in Othello at the West Yorkshire Playhouse.

He was good. Not incredible but from his biog in the program this was his first serious stage role and this was only the second night so well done Lenny. The supporting cast were very good as is usually the case with Northern Broadsides, Matt Connor (who I have seen in 2 productions in the last year) deserves a mention as a brilliant Roderigo- someone to watch out for methinks. Conrad Nelson as Iago has had very good reviews and he was good...but...ever since I saw the film version with Kenneth Branagh I struggle to imagine an Iago not played as he did him- with a subtle, understated evil.

The production itself was fairly slick and used a black backdrop with a few props. Can't help but feel they borrowed a little from the style of last years Hamlet at the RSC (which I was also lucky enough to see). It wasn't in the same league as the RSC but still well worth seeing and not just for the play, the WYPH is a lovely venue and we all got to see Lenny in the bar afterwards doing the rounds and chatting to theatre goers, seems like a very genuine and unaffected man.

I believe it has sold out now but if you do have or get hold of a ticket you shouldn't be disappointed.

Rehearsals

Just back from seeing the rehearsal of one of my plays- From Bodrum with Love. Unfortunately I couldn't make the one last week so missed seeing the run through of Dinner for Five.

Initial thoughts? Good, surprisingly so!

Often when you see your work performed or read it doesn't sound quite the way it did in your head when you wrote it- no fault of the actors of course, just individual interpretation of the script. At tonight's run through though they pretty much had it nailed, especially the two main characters. I like to think this is because my writing has become tighter and more fluent and my characters more well rounded.

Really excited about Saturday now, I got to see a couple of fellow writers work in rehearsal too and there's going to be some good stuff performed

Showtime!

Rather excited today. Just had an email confirming that two of my scripts are being showcased as part of the Huddersfield Literature Festival ( Lawrence Batley Theatre, Sat 14th March, 4-6pm, Attic Venue). This is the first time anything I have written has been performed in a venue, I can't wait to see how they are interpreted by the actors. I have been invited to attend rehearsals but don't know whether to go along or not, it might be better to experience the plays on the day along with the rest of the audience...

On a less happy note I have been reading the latest media reports about the cuts being made in TV production, particularly ITV. It seems that a lot of continuing drama ( and presumably one off and two- parters) are facing the chop in favour of cheaper (reading between the lines) reality and game show formats, I guess revenue generated by phone-ins is also a key factor here. This is bad news for both established and aspiring screenwriters I would think. I wonder how much harder it will become over the next few years to get that first commission, will the powers that be prefer to stick to 'safe' well known writers or will us newbies get more of a chance because we are cheap (in the nicest possible way!)?

Makes me think my chosen path may be rockier than I first thought.